In Hollywoodland we follow detective Adrien Brody in his quest to uncover the facts behind the mysterious death of George Reeves, played by Ben Affleck. Was it suicide or assassination?
The movie reflects the real life controversy behind the death of the actor who played TV's Superman in 1950s. The movie boasts beautiful photography and great performances by Diane Lane (who plays Toni Mannix, George Reeves' sugarmomma) and Bob Hoskins (who plays Eddie Mannix, a big shot movie executive at MGM, and Toni's suggardaddy-husband).
We had quite a bit of gay content. Our first scene with gay content comes when Ben Affleck and a friend are at a fancy restaurant having drinks. The friend says that because they are two guys sitting next to the bathroom, "people will think that we are queer." The tone of the statement was negative, but Affleck makes it right by shrugging it off with something like: "Well, you do look dapper tonight." That first gay-content scene reminds us that if you wanted to be an actor on the big screen you needed to stay in the closet, and any inkling of a chance of being gay would have hurt you. I hope that that is more and more ceasing to be the case today, but it certainly was the case in the 50s, as two other homo-oriented scenes confirm.
We see Bob Hoskins giving one of the cute MGM actors a bad time for having been caught on a photo depicting man-on-man action (you can barely see the two guys inside a car, but I am pretty sure we are looking at two guys, see the pic below). Bob shows him the photo and implies he had to pay the photographer 15 grand to have the photo off the tabloids:
That gay content was almost imperceptible as the picture is shown really fast (click the pic above for a larger version). Bob then alludes to the fact that it is career suicide for an actor to be perceived as gay, and asks for a "publicist" who is present at the scene to arrange for that actor to be seen with a girl on a picnic or something.
Still confirming Hollywood's paranoia in the 50s, we have a scene in which Diane Lane is all mad because Affleck is about to break-up with her, and out of despair she tries to hurt Affleck by saying she will tell the newspapers that he is a "red," and a "faggot" and a "lush"...and that everybody would believe that. She said the F word out of despair, but it was bad bad bad nonetheless (even though I think it is actually not so bad to have "faggot" as an epithet alongside "communist" -- both should clearly no longer be used as epithet nowadays).
As harsh as Diane's use of "faggot" and Bob's obsession with keeping his actor in the closet are, I believe all the scenes above were used more as criticism, rather than to spread homophobia. It all comes within the context of a homophobic Hollywood. In any event, Bob is shown as a money-focused grump who had no clue about anything else, and Diane, well, she was just desperate.
We had other bits of more clearly neutral to positive gay content. Like the scene in which Ben Affleck tells his manager that he looks handsome without his glasses (it is nice for people to see it is okay for a guy to compliment another guy). On another scene, Affleck is shooting one episode of the TV series, in character as Clark Kent, and he asks the actress playing Lois Lane whether she wants to see the real man of steel. She says yes, and he goes on to pull down his pants and pretend-hump her. Watching that scene, the actor playing Jimmy Olsen is about to leave when Affleck says something like "don't leave just yet Jimmy and keep your bow tie on, you're next." Horny Clark Kent, nice bisexual reference. Right after that, Diane Lane tells Ben Affleck that the actress playing Lois Lane is a lesbian; Ben acts surprised, but not disgusted, just surprised. Diane then takes it back by saying she is not a lesbian but that Ben needs to see her as a lesbian (Diane Lane is jealous, is all).
Hollywoodland is being released on DVD today.
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